Phlebotomy - Voluptuous... (1994)

Genre: Atmospheric Gothic Doom/Death Metal

Year: 1994

1. Voluptuous Simplicity of the Line
2. One Thousand Times
3. A Dreamer Can Touch the Sky

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What. Is this still Phlebotomy? I'll admit, I had to do a double take, and check out On Thorns I Lay to see if this was still the same band... Sure enough, a few of these songs were used on their first full-length. With the name change most certainly came a drastic change in style. I sort of knew this was coming after their EP, but hey, what can you do, especially since this all went down in the mid 90s.

This would be a good demo, had it been a different band playing different music. I was almost shocked to hear this, so naturally, it didn't sit too well. The production value has been cranked way up; these guys must've started getting serious about the music they were playing and the direction they wanted to take. A lot has changed, most notably the vocals. My ears may be deceiving me, but it looks as if all male vocals were scrapped in favor of a variety of female vocals ranging from singing to harsh whispering (haha), to the occasional shriek.

The goth was turned up as well; however, still retaining the atmosphere from the previous releases, if not chippered up a bit with extravagant use of synths and flutes and other instruments. A lot of that spacey atmosphere has been lost in return for production. It was probably a good idea that they changed name, because what they do now just isn't Paralysis/Phlebotomy.

Phlebotomy - Dawn of Grief (1993)

Genre: Atmospheric Doom/Death Metal

Year: 1993

1. Born To Suffer
2. As the Sky Turns Black

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Much better production; about time these guys got signed to a label! Two songs here and the first is an old favorite from their promo tape, "Born to Suffer". The cheesy intro and exit bits that I pointed out in the Promo Tape review are removed to allow focus to fall on the song itself without any distractions or wtf moments. Not so sure if I'm a fan of the production... it is better, but it also gives the EP a "tinny" feel, especially with the scratchy guitars and glowering synths. Everything is better balanced, though; vocals and drums are further up front and this EP certainly sounds more complete.

New song! Looks like this marks the point where Phlebotomy are turning away from their doomy sound, and onto something a little more intense. Synths galore are still present all over the place, but female vocals are kicked up a few more notches, seemingly going even with the harsh vocals. Everything is faster-paced and almost industrial. This song marks the band's transition to a new style that you will see in "Voluptuous..."

Phlebotomy - Promo Tape (1993)

Note: Artwork unavailable

Genre: Atmospheric Doom/Death Metal

Year: 1993

1. Intro
2. Our Golgotha Before The Beauty Of Our Death
3. Born To Suffer
4. Stories Of The Internal Of My Grave (Parts I and II)

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A classical intro... that's more like it! Immediately, I know I can expect the same style Paralysis got me hooked on, and I can't be more excited. In the same vein as the previous demo: occult synthesizers saturating the air, accompanied by subtle melodic fringes keep this music fresh and engaging. Clean vocals are introduced here and there, serving to add more to the arcane atmosphere. Melodic, acoustic interludes are spackled throughout to break up the lengthy songs.

Gloomy, dark, and highly atmospheric, the tracks on this demo are oddly entrancing, especially on "Born to Suffer" with the inclusion of mystical flowing female vocals. This is great music to reflect on pretty much anything you want. "Born to Suffer" brings us back to reality with a grim intro assailing the listener with machine gun fire and an old school Hellenic riff, yet takes us away again above the clouds, only to yank us back down with that key riff and marching drums. Not too clear how exactly those effects tie in, but it does add to the variety to make things interesting.

The synthesizers are used to great extend, with myriad sound effects such as the aforementioned, but also some new ones like fire crackling and wind blowing. They were going for atmosphere with this one, and Phlebotomy certainly hit the nail on the head! Deep, booming production presides, collapsing the very atmosphere above down on us. Recommended.

Paralysis (Grc) - Beyond The Chaos (1992)

Genre: Atmospheric Doom/Death Metal

Year: 1992

1. Your Life... My Death
2. Born to Suffer
3. Dark Reality

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Multiple name changes here. These guys started out at Paralysis, changed to Phlebotomy in 1993, and finally to the well-known On Thorns I Lay in 1995. This is their first demo, and it really sets the stage for the successful career they've sculpted.

Right out of the box, the mood is set with the eerily disturbing intro. A monologue of sorts, littered with creepy, spacy synths. "Please let me go; I don't want to die..." The same feel is translated through the rest of the demo. I'm hesitant to call it "epic", but it does have a very mysterious and foreboding tone to it all. I feel like The Outsider in Lovecraft's famous early work. Not knowing where I'm going or what I'm going to find, I just keep climbing... the future will reveal itself to me. What will I discover beyond the chaos?

Melody abounds and heavy use of synthesizers aids in the atmosphere surrounding the chaos. Very deep and mystical-sounding, this is like an adventure through your mind. Eerie flute-sounding instruments are used, sprinkled with dangerously-close guitars make this a unique and fascinating listen. Recommended!

Simply Death - Crucification (1996)

Genre: Doom/Death Metal

Year: 1996

1. Crusade To Eden
2. Born In Black Blood
3. We Survive
4. Crucification
5. Claustrophobia
6. The Blessing

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Silly name, I know. Regardless, this is still worth a listen! Opening with a simple organ intro and leading into slow, churning, doomy goodness, this demo takes its time getting started. These guys are in no hurry to get things rolling, and it works well with the sound of this demo. The pace does pick up, though, as the doom wears off and the death kicks in. This is a very short demo, and I feel like it's not quite "whole". Had the band not split up so soon, I could see some more depth coming out of their music.

Very similar in sound to Morbid Angel, it's pretty obvious where inspiration was sound. Rasping vocals and that same soft and flowing musical style. Nothing too abrasive on the ears... about as pleasant as death metal gets! Most songs are fairly short, which leaves a lot to be desired, but hey, this is a demo! A "demonstration"! Keep an ear out for the last track, "The Blessing", as it boasts too quick of a catchy intro/exit riff.

Eroded (Jpn) - IN (1994)

Genre: Doom/Death Metal/Grindcore

Year: 1994

1. Blind Line
2. Eternal Corridor
3. Existence
4. Digital
5. IN
6. Monotone
7. Spiral-Staircase
8. Behind
9. Freestanding
10. Turning Time

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A MUST LISTEN! I posted Eroded's first demo some time ago, and expressed my shock at the brilliance from what was an entirely obscure band, and now we all finally have the privilege of listening to what promises to be the outstanding culmination of all the effort and potential oozing from their first release. You're in for a treat, that's for sure.

I'm noticing that this is far beyond a simple music album. This is a story. This is life. This goes to show how deep death metal can be. Demo 92 was highly intense death metal/grindcore showing no mercy, and that's exactly how this album starts off, with several fast-paced, brutal songs kicking it into overdrive, saturating the listener's perception of everything around them, and unrelentingly grasps a hold of his attention. My guess is that these were older songs written back in the Demo 92 days.

"Existence" is where we start to see a change of direction. It's subtle, and you have to be listening closely to pick up on it, but a touch of melody shines through, buried under the grinding guitars and snarling vocals. Clean vocals make an appearance in the background and some atmosphere is quietly laced around the edges. Incredibly well-done. "Digital" continues this transition... but to what? Eroded starts to shy away from the Grindcore right about now with the integration of Doom elements. If you didn't pick up on what those two tracks were trying to tell you, "IN" breaks it all loose with a gorgeous instrumental tune bursting with melody, yet somehow still retaining the essence of Eroded.

A very segmented album, and I'll try to wrap this up soon, but damn, there is so much going on in this profound release. Doom becomes the travelled path for the next few tracks until, you guessed it, another segment is hit! Tracks 8 and 9 pick up the pace a little more and actually take on what sounds to me like Hardcore fringes, especially noted in the screaming/yelling vocal style.

The last song is the perfect representation of Eroded and the distance they've come. Elements from the entire album are brought together here in this 7 minute song, concluding IN quite nicely. Eroded has definitely changed since their beginnings, taking a more melodic and progressive route, but at the same time, creating astounding musical brilliance that will not only appeal to the die-hard fans of their demo, but to anybody interested in metal at all.

So highly recommended.

Condolence - Pernicious Segregation (1990)

Note: Artwork unavailable

Genre: Doom/Death Metal

Year: 1990

1. Untitled I
2. Untitled II
3. Untitled III
4. Untitled IV
5. Untitled V
6. Untitled VI

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I honestly wish I knew a little more about these guys. Somehow, a rip of Pernicious Segregation surfaced on the internet (I believe we have Drowned to blame), but no song titles, demo art, or anything. It's a shame, because this is a surprisingly well-produced demo. There's a lot going on here and I'm shocked to see them go nowhere. Perhaps it was other projects that drove their attention from Condolence...

I'm hesitant to call this Doom/Death Metal, because, while it does ring with doomy elements, there are a fair amount of straight-up pounding OSDM sections, allowing for a lot of freedom with what they want to do. The production is crystal clear-sounding; almost TOO clear... there has to be more to this band that we don't know. Alternating between the furious drumming/riffing/soloing and slower-paced segments, this demo is mixed very well. Opening and closing with an eerie demonic voiceover, and track three is a nice acoustic interlude thrown in there to break things up a bit. Not a dull moment here; an enjoyable listen.

Chamber of Dismay - Dark Clouds (1993)

Genre: Melodic Doom/Death Metal

Year: 1993

1. Intro
2. Forgotten Woods
3. Simerion Winter

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From the obscure depths of Finland (and where it's likely to remain) is Chamber of Dismay. Not much is known about this band; not even the names of the band members! It's too difficult to discern their names from the only tiny scan on the internet... so please, if anybody has any information regarding this band, come forward! Just wanna give credit where credit is due. :)

On to the music. A relatively quick demo here; hardly a sampler of this low-key, melodic Doom/Death Metal. This is the only demo from these guys, and it was likely a side project of some sort that never got off the ground. Two songs and a demo, and unfortunately they suffer from poor production; way too much bass in the background and everything seems far back in the mix. I occasionally describe music as "suffocating", but I suppose this is the true definition of the word. Could definitely use a remaster and re-release!

As previously mentioned, there is a fair amount of melody here, similar to Cauteror. A single, lonely guitar breaks loose from the filth and grime, making this an almost sorrowful demo. Not terribly much in the way of song structure, and the songs can get a little long without variation, but the riffs are pleasant, and I'd go as far as to classify this under the "easy listening" category of Doom/Death Metal. It's quick, it's simple.

Ruminations - Rehearsal Demo (2011)

Genre: Doom/Death Metal

Year: 2011

1. Leafs
2. Emptiness Departured
3. Luminescent Twilight Re-Dreamed

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I suppose this is an OSDM blog, and I rarely post newer music, but this is just too good to go unnoticed. Plus, it has a very old school sound, and if I didn't know any better, I'd have thought this was from the mid-90s!

This is a rehearsal, so the production isn't the best, but it actually works in the band's favor. Underproduced and raw, this is a full-on assault on the ears is the very best way possible. The first song, "Leafs" is short and to the point, and more straight-up death metal oriented than the following tracks; it serves quite nicely to snap the listener's attention completely on this absorbing music.

The vocals are deep, growled gutturals set far back in the mix, to the point where they're nothing but a dull roar occasionally peaking out beyond the murk and filth that are the guitars. Monstrous and full-sounding, the suffocating guitars cast an unforgiving darkness out, enveloping anything and everything in their path, creating some of the most engaging and occult-sounding gloomy DOOOOM. My ears are also detecting traces of The Chasm, notably in the second track, sorrow abounding. Very visceral in its dark reflections of esoterica and affliction. Recommended.

For those interested, Carlos from Ruminations is offering free copies of this demo tape. Shoot him an email at ruminations@mail.com with an address if you'd like one.

Ruminations at Facebook (and here)

Withering Divinity - Tragical Endings (1994)

Genre: Doom/Death Metal

Year: 1994

1. Into the Darkness
2. Devil's Watching Me
3. Chaos Curse
4. Innocence
5. Pretend in Vain

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Dark Millennium. I'm sorry, but upon first listen to this obscure demo, only one thought rang out inside my head and that was Dark Millennium. The musical style is a little rawer and less produced, but the vocalist sounds exactly like Christian Mertens. I had to do a double take at the vocalist and look him up on Metal Archives to see if it was the same guy. Holy shit, the similarity is uncanny. I rather liked the higher Dark Millennium vocals (liked Torsten's, too), so I instantly took a fond liking to this demo.

Opening with a subduded, haunting intro, we then move onto "Devil's Watching Me", starting off with a catchy bass tune that sets the riffing style of the rest of the song. As the guitar's kick in, Christi- er, Scott's harsh vocals unleash, very pained and agonized. Hell, I would be, too, if the Devil was watching me. The rest of the demo follows suit, alternating pounding Death Metal parts, but throwing in some doom n' gloom here and there, coupled with creepy clean vocals.

"Innocence" is an oddly uplifting, mesmerizing instrumental tune, unlike the previous two songs, probably preparing you for the final and longest song, "Pretend in Vain". This one's a trip. A sort of culmination of this release, there's a bit of everything here. Opening with eerie spoken words outlined by a similarly subdued bass line like the intro, the sun slowly begins to peer through the clouds, yet not fully committing, probably due to the (anti)religious lyrical content. Sounds like a different band at this point until the metal kicks in. Overall a great concluding track, except for maybe the mariachi bit at the end, but hey. Seriously, what the fuck.

Recommended.

Caarcrinolas - The Egg (1994)

Genre: Experimental Death Metal

Year: 1994

1. ?
2. Anal Feast
3. Milted
4. Mucus

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Okay, sit down, you're gonna need something to support yourself for this wacked out demo. "Experimental" only begins to graze the surface of the music found in Caarcrinolas's "The Egg". An obscure release from the depths of France; not much is known about these guys aside from their sole, enigmatic demo presented in the most bizarre and otherworldly manner manner possible, while still retaining the elements of Death Metal.

"?" opens up with, well, what you'd expect. Confusion? Uncertainty? Suffice to say a soulless, unforgiving ominous, almost creepy sound perturbs all who listen. Setting the scene with an eerie atmosphere, this song sets the precedent for the rest of the demo. Oddly enough, the guitars come out in full force, with meticulous and clean riffing, albeit done in a wonky, unusual way riddled with strange time changes and huge leaps in creative genius that some might see as mere noise. It'll take a dedicated and open-minded ear to fully enjoy this demo.

Synthesizers are used heavily, as to be expected in anything labeled "experimental". It's almost like Caarcrinolas grabbed an electronic keyboard and just started randomly pushing the sound effect buttons to see what worked at what didn't. I'm hearing hints of mandolins, accordions, organs and other weird noises scattered throughout. However, it's all done in moderation, letting the guitars and vocals do their Death Metal thing. I wouldn't quite call this Avant-Garde, as they really do make an effort to stick to their DM guns, but it's definitely going to be something you haven't heard before. And for that, I gotta go ahead and recommend this.

Gothic Castle - Closer to Roots (1996)

Gothic Castle circa 1996

Genre: Doom Metal

Year: 1996

1. Snakes Under Flowers
2. Moonlace
3. Estrangement
4. In the Heart of the Ruins

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I've been unable to locate Gothic Castle's "The Odd" demo, but this is their third release and displays what appears to be an about face in their music style. I've always thought of this demo as Death/Doom in instrumentation, but Traditional Doom in vocal style. Some might say these elements clash and while I do agree with them, it still makes for a very engaging listen that should not go ignored.

This is a very different release from "In The Chared Cradle". You'll notice an increase in pacing, with a wider variety of up-beat and lively riffing, as well as much shorter song lengths. Hell, this entire four-song demo is just a minute or two longer than their first demo, which was only one song. They've opted to do this, I presume, to make the demo more accessible than the first and easier to listen to. That's not to say the first is bad; it's an excellent release in its own right.

So, what about the vocals? I'm not sure if they got a new vocalist, or if the growler decided to try his hand at melodic clean vocals (probably the former), but it definitely makes for an interesting listen. It's basically your classic trad doom vocal style, wavering in that operatic way. One thing I found curious is that the vocals seem to be sung at a much quicker rate than the music being played. This doesn't sound like it should work, but I found the songs oddly catchy and invigorating. Certainly worth your time! Look out for the last song; great riff! Recommended.

Unknown Band - Unknown Track (????)

No artwork

Genre: Doom/Death Metal

Year: Unknown

1. Unknown Track

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NOTE: This was previously mislabeled as Gothic Castle's "In The Chared Cradle" demo. This is incorrect and it has been confirmed that this is NOT even Gothic Castle at all.

If anybody has any information regarding this track, leave a comment!

Whoever the fuck this band is, they were going for pure DOOM. Very dark and gritty-sounding, the production suffers slightly with scratchy guitars, but it works oh so well for this style of music. One word to describe this demo is "deliberate". Very slow-paced and controlled, this one song demo starts off with an almost march beat, slowly but surely plodding on, making sure everything stays together in one place. A sharp, purposeful riffs breaks out a minute or so in and holds for the rest of the song, steadily building off its solid foundation. Things start picking up at about the six minute mark and we're soon hit with another core riff; yet another piece to this concrete puzzle. Alternating between soulful riffing and frigid drilling, we also have a few doomy solos thrown into the mix sounding of cries of desperation and anguish.

The vocals are dirty and harsh to the max. Cold as winter, there is no respite in these words as they match the sound of the guitars in their unforgiveness. Ocassional clean vocals break out in traditional Russian (?) style, well-placed to bridge the 13 minute song.

This demo sounds like it was recorded in the early 90s, but again, that's just speculation.

Threnodist - The Vomitous Demo (1991)

Note: Artwork unavailable

Genre: Death Metal

Year: 1991

1. Launched into Eternity
2. Lamentation of the Dead
3. Infernal Diatribe
4. Pukus
5. Tyrannicide

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Fans of Infester and their absolutely cult album To the Depths... In Degradation will jump at this demo, recorded by who Infester used to be... Threnodist.

Crunchy and forward in its production and presentation, this demo is host to a slew of infectious riffs that doesn't let up until the end. I wouldn't call this all that thrashy, as their are some slower-paced almost doomy sections, but the piercing nature of the guitars ingrains every riff into your head, sawing your brain into pieces. Not quite chainsaws, but more like chopsaws. Almost rigid in the style of Death Metal, The Vomitous Demo is a very enforcing release. Combined with the extended riffing sessions without vocals, you'll be left hypnotized and captivated.

Vocals are pretty standard deep, throaty gutturals that are used minimally and set back into the mix to allow the guitars to step up. The growls aren't all that fast, and more drawn out, drifting in and out of the music, meshing unbroken with the guitars to great effect. Fast and furious at times, this is a full on Death Metal release, paving the way for Infester's brilliance. Recommended.

Asphyxia (Irl) - Conflagration (1990)

Genre: Death/Thrash Metal

Year: 1990

1. D.P.O.S. (Intro)
2. The Craving
3. Conflagration
4. Symptoms of Suffering

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A lot of you have probably heard of of the Irish Morphosis; well, this is what Morphosis used to be. A rather early Death Metal release from 1990 with some Thrash tendencies, it is a very impressive demo for the time.

Song lengths average a jaw-dropping eight minutes, which was unheard of for a thrashy-type band at the time, so you can expect the song structures here to be well-thought out and carefully pieced together. I know I've mentioned thrash a few times, but this demo leans more toward the Death Metal side of the spectrum with gritty, deathy production and rasping Kreator-esque vocals. Expect myriad long, plodding riffing sections, giving some of the songs, especially "The Craving" a sort of entrancing feel, very easy to get sucked into. This style works quite well for the demo as a whole, and it feels hearty and full. There are a fair amount of solos to break up the songs, drawing on its thrash influences, as well as quick-paced, energetic riffing to keep things lively, despite its long-winded nature. A few production issues sprinkle throughout, like on "Conflagration" where the sound dips in and out, but for the most part, it's produced well for a 90s demo, certainly listenable.

Makrothumia - The Rit of Individuation (1997)

Genre: Progressive Doom/Death Metal

Year: 1997

1. A Sense-Alization of Your Own-Not-Owned (Your Own Interior Own)
2. Conquering the Lack of Relations... the Vague... to Unify
3. An Interior Autonom Structurality (To Protect... to Deceive... Protecting?)
4. The Need (Appearing Yourself Through into the Other)
5. The Archetypes (Patterns of Behaveor)
6. The Spirituality of the Prostitution (Masculin Domination Against Alterity)
7. Celebrating Thee (A Drowing Down the Sun Ritual)
8. Sinagogic Curse

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The first thing you'll notice is the absurdly long and complex song names a la Demilich, but let me promise you, you're in for a fantastic treat with this Romanian gem. Makrothumia has gained some attention in the past few years, and for damn good reason. Who ever heard of Romania producing good music?

Progressive is the defining genre descriptor here. There is so much shit going on, and it is orchestrated to perfection. The song structures are byproducts of creative brilliance and musical genius. The music--nay, ART here knows no bounds and the band members took every liberty in pushing the limits of metal to cultivate a seamless blend of doom, death, and technicality. Thick, luscious bass, in both guitars and percussion, saturate throughout, giving The Rit of Individuation a beautifully flowing sound. On paper, the album should be jagged rapids, but somehow culminates in a smooth, flawless estuary, opening its waters into a massive, expanding ocean of intricate, meticulous elegance.

Truly a release for the ages... monstrous in its presentation, fastidious in its attention to detail. Resonant and epic in every sense of the word, with tight riffs and inspired melodies to complement the omnipresent, mellifluent vocals. If you can't tell by now, this comes very highly recommended.

Internal Putrefaction - What Prophets Foretold (1997)

Genre: Melodic Doom/Death Metal

Year: 1997

1. The Rudiments In Dm (Intro)
2. When Trepedation Turns Into A Qualm
3. Public Ceremony
4. Metaphisical Awaiting
5. Lacerated Stigmatization
6. Aqua Tofana
7. The Age Of Enlightenment (Outro)

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Beginning with an eerie, foreboding, and almost majestic intro (could this be what the prophets foretold?), we're quickly lead into fast and furious riffing that doesn't let up until the exact midpoint of the second track with a desperate call out to the heavens. From this stage on, a more melodic direction is taken with impressive riffing and enveloping song structure.

Not too sure if this is a concept demo or what, but I certainly like it. Church bells ring, surrounded by confused religious cries with atmospheric melodies scattered throughout. What Prophets Foretold has a unique sad sound, separating itself from the rest of the pack for a refreshing and intoxicating listen.

With a name like Internal Putrefaction, this is the absolute last type of music I expected... but it works exceedingly well. I haven't been able to track down their 1991 demo (somebody hook me up!), but I'd take a gander that it's down and dirty Death Metal, more deserving of its name. However, this 1997 effort has a very mature sound, deeper and more meaningful than any ol' DM band. Not sure where these guys went wrong after this demo, but I'm sad they did, because they've got talent. Recommended.

Misericordia (Rus) - The Microbiological Revolution (1996)

Genre: Technical Death/Thrash Metal

Year: 1996

1. The Microbiological Revolution
2. Acetone
3. The Intrauterine Suicide
4. My Dream
5. Post-Alcoholic Depression
6. The Subjugation Of Reason
7. Epilogue

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Microbiological Revolution, eh? That's some pretty heavy stuff (for a death metal band!); definitely worth a look. The complex song titles also seemed a bit out of the ordinary, drawing me even closer to what is the definition of a "hidden gem". My preconceptions were spot-on; this is one hell of a damn impressive demo, far ahead of its time, displaying a technical prowess unlike the rest of whence it spawned.

It was hard to put my finger on it at first, but the more I listened, the more the music screamed at me... "DEATH". There is an uncanny similarity to later Death, specifically The Sound Of Perseverance. But hold the phone--wasn't that released after The Microbiological Revolution? Oh shit.

What really struck me was the intensity and strength of the song structures. The whole demo weaves together spectacularly, combining Thrash elements with fast-paced passages ripping with technical riffs and Death-esque guitar solos, but also slows down to a more classic OSDM plodding when appropriate. Fantastic incorporation of ambient/atmospheric overtones saturating the already deep and penetrating grip this demo has on you. Vocals are nothing special, but solid old school growls. In fact, I wouldn't ask for anything else with this style of music. They are actually set a little further back in the mix, which was a good choice to allow the instrumentation a chance to shine, accentuating the technical brilliance these Russians present.

Yet another top-notch release from Mortal Dreams Productions... Recommended.

Carcaroht - Floating Souls (1994)

Genre: Death Metal

Year: 1994

1. Intro/As The Gates Fall
2. I Precide To A New Existence
3. Untitled

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Here is the final release from Carcaroht, a repackaged Promo 94. This is the same thing, yet the production value is much higher. This has a very clean and clear sound, eliminating the muddiness and chaos from the promo. It's amazing how much better this sounds; they must've had a few bucks leftover.

Not entirely sure why this project didn't continue. It seemed like that with the quality of both the music and production, these guys would at least have an album in them, but I suppose they had bigger and better things to do. If you want to hear a little more about the music itself, just check out the Promo 94 post, linked above. Enjoy this one, but remember, if you want something with a little more grit, go for the promo!

Carcaroht - Promo 94 (1994)

Genre: Death Metal

Year: 1994

1. Intro
2. As The Gates Fall
3. I Precide To A New Existence
4. Untitled

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More than two years ago I promised to post this promo... haha. But hey, I'm good on my word! It's just a matter of when. Anyway, there seems to be a bit of confusion surrounding this promo. They released another demo in 1994 entitled Floating Souls that appears to be the same thing as this demo. They are actually different recordings, it's just that Floating Souls is better produced. This promo has a much fuller and heavier sound than the tinny Floating Souls, making this my release of preference. However, if you're looking for some production in your OSDM (ew), you'll want to head over to Floating Souls.

As previously mentioned, this is a very good-sounding demo, considering their relative obscurity. All members went on to participate in a fuckload of other bands, so I suppose this can be considered the guinea pig experiment that showcases their potential and skill. That's not to say you won't be blown away by this promo. It has a very full and suffocating sound, with fast and furious riffing in its most raw form. Solos are used to great effect, parting the dark stormclouds and letting in that ray of piercing light. "Untitled" holds a particularly powerful solo.

I'll post Floating Souls as well.

Goregod - Apocalypse Now (1996)

Genre: Avant-Garde Industrial Death Metal

Year: 1996

1. Funeral Song
2. The Darkest Side of Reality
3. Mourne Country
4. Apocalypse Now
5. Dark Is the Future
6. 10000 Maimed Corpses
7. We Must Find a Way
8. Suprised Song
9. Warchaos

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More of the same from these crazy fuckers. Somebody heard their wacko demo and thought it would be a great idea to sign them to a label (Mortal Dreams Productions). Fortunately, I know the guy responsible for this, so I'm just busting balls now. That said, this isn't a bad album! A bit on the unique side, but to the point where it's refreshing. The more I listen, the more it grows on me. Pretty sure I'm at the point where I like it!

It's a bit tamer than the demo, and with a much more holistic sound (thicker guitar tone, actual song structure, etc.). Very synth heavy and there's more of the industrial sound with some psychedelic elements, too. There is quite a range of styles all over this album. You've got your up-front, fast-paced Death Metal with the title track, a more chill and psychedelic approach with "We Must Find A Way", and probably my favorite track, "Darkest Side of Reality", which boasts an industrial, almost videogame-esque main riff. The same range of vocals is still present, and used quite well to create a thrilling listening experience that will keep you guessing what the hell will happen next.

Yurra Serov (the Mortal Dreams Productions guy of Different Seasons fame) is the reason I know about this band (and a few future posts), and he shared what I thought was one hell of a crazy story:

James A. Magda (AKA Jamz), the frontman had found himself in an interesting position at the time of this album's release. Right as Serov and Mortal Dreams Productions had made all the arrangements for the release of Apocalypse Now, and were about to print and distribute the album, Jamz's wife wrote, informing them that Jamz was dead. Killed in a fight, apparently. Get this, though... she also sent, along with the letter, the last song he recorded, entitled... "Make Me Dead". Holy shit.

Goregod - The Human Abstract (1994)

Genre: Avant-Garde Industrial Death Metal

Year: 1994

1. Pukes by Blood
2. The Human Abstract
3. World Is Shit
4. Sex Brutal Sex
5. White Is Right

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This... this is something a little different that some of you might not exactly enjoy. Still, I found it to be quite interesting and it's not exactly "available", so I thought it couldn't hurt to post.

The demo opens with what sounds like a dark, twisted... jaw harp. That's right. A jaw harp. If you're looking for creativity in OSDM, the Russian Goregod "fits" the bill. The guitars are borderline acoustic-sounding and have a very unique "steely" kind of sound whose strums remind me of the music in horror movies, victims running wildly at top speed down endless, poorly lit, metallic hallways. The drums drive a lot of the tempo, yet somehow feel disconnected from the rest of the music. You'll find a multitude of vocals here, ranging from sputtering snarling to spoken word to commanding PA system authoritativeness.

This'll leave you with a nice "whatthefuckdidijustlistento" feeling!

Gruel - Gruel (2005)

Genre: Death Metal

Year: 2005

1. Corporeal Flesh Consume
2. Awaiting the Massacre
3. Cursed Desert Sand

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Metal Archives Rating: 88% (2 reviews)
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Credit to FeatherOfHuginn for turning me onto this gem shrouded in... obscurity? Point is, not enough people know about this, so here's my good-natured attempt at showing you all the light (er, dark).

The first thing that struck me was the top-notch recording quality. Who are these Swedish guys? I'm convinced this has to be some sort of side project of somebody or something, since most bedroom bands have less than desirable sound quality. Speculations aside, the material presented in these short 12 minutes simply oozes potential... certainly a direction any death metal band would be proud to embark upon.

The vocals stand out particularly, alternating between your classic death gutturals and a more demonic, gnashing angry growl, both of which meld beautifully with the skillful and aggressive guitars. Very riff-oriented, so if you like your death metal thick and engaging, with a guitar tone to die for, look no further... that is, until this quick demo ends...

Funeral Revolt - Γαία Υπερφιάλων Αθεμιστών (1994)

Genre: Death Metal

Year: 1994

1. Γαία Υπερφιάλων Αθεμιστών

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Christos from Sanctorum sent me this exquisite promo demo years ago, and I see he has now posted it on Youtube, but I figured it could do with an "official" blog release! This is the original mp3, not that compressed Youtube crap (first guy who tells me mp3s are compressed gets my foot up their ass); this track deserves it!

Mind. Blown. Quite possibly one of my favorite songs with perhaps the most infectious Hellenic riff my ears have ever had the good fortune of absorbing. As the years passed, Funeral Revolt has dropped the dark, filthy sludgy guitar tone in favor of something with a little more vitality and vigor. It all comes together in this tiny demo released at the end of the first phase of Funeral Revolt, unfortunately.

From the beginning to the all-too-soon ending (even though the song is a solid 6 minutes long), the main riff will hold you to the edge of your seat, gripping your musical palate so tightly, you'll find yourself unable to do much of anything until the song has finished. I actually had to stop listening to this song long enough to write this review, as I would keep getting lost in the music and zoning out. Ripping double bass brings out the intensity of the riff at times, while female vocals rain down beauty, with tasteful solos the glue that brings it all together into a tight little package bursting at the seams that'll leave anyone begging for more... sadly it won't come.

Enjoy this one, folks. You'll get quite some replay value from this gem. Recommended.

Funeral Revolt - Burial (1991)

Genre: Death Metal

Year: 1991

1. Burial
2. Fly Beyond
3. Lamentation
4. Concealment of Truth
5. Solitude

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I figured the best place to begin again would be precisely where I left off, so here we have another EP from the dynamic Funeral Revolt! To those who have been following this blog for the past year (ololol), you've listened to Brutality Domain. That was a very gritty, dirty-sounding demo, and Funeral Revolt have cleaned up their act rapidly (two drastically different sounding demos in one year?) with their latest offering.

The first thing that struck me was how well the first three tracks meshed together. Hell, this could have been a short and sweet EP with just those songs and you wouldn't find me complaining. I'll treat the other two as an added bonus! "Burial" starts off as an eerie, synthetic dark ambient track that I'll refer to as the "inhale". The "exhale" comes with "Lamentation", the perfect acoustic closing act to the expansive and powerful "Fly Beyond".

The entire demo is very riff-heavy, and you can begin to see the roots of Funeral Revolt's embrace of the distinct Hellenic riffing style. Synths are used much more on this release, leading to an atmospheric and ancient-sounding aura, clashing surprisingly well with the guttural destruction inherent in all Death Metal. I get the vibe of controlled chaos (if that even makes sense) throughout this release, every song flitting on the edge of pandemonium, yet somehow confined in the boundaries of order through methodical solos and pinpoint drumming.

Pleasantly surprised, considering the previous demo's style. Recommended.